This series will introduce you to the concept of modes on guitar, starting
with the modes of the major scale.
We'll start by looking at the characteristics of each mode
individually. After that, we'll discover how
modes work together
on the fretboard.
First,
an important introduction to modes, because this is not
something we can just rush into (as you'll soon realise).
Remember - modal theory doesn't just exist on guitar, this intro is as
much music theory as it is guitar theory!
What are modes, and how
are they different to scales?
Watch this video from my YouTube
Channel for a good introduction to
modes...
Modes
of the major scale
First, make sure you're familiar with the major
scale.
The major scale has 7
tones, and each tone represents a degree of that scale - 1st (root), 2nd,
3rd, 4th, 5th, 6th and 7th.
Now, in modal theory, each degree of the major scale marks the "start"
of a new mode, with the same corresponding number.
For example, the 3rd
degree of the major scale also marks the root note
of the 3rd mode
of that scale (see below for the numbered modes).
Play the major scale from
its 3rd tone, and you will be playing the sequence of
tones that make up the 3rd
mode of the major scale.
However, it is only when that sequence of tones is played in context,
over a sequence of chords
from that same major scale key, that its modal colour truly shows. Let's
start by getting to know each mode of the major scale individually.
Take your time...
