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Note: this method doesn't work if you're playing with other instruments that are themselves perfectly tuned. This is just for those moments when you need a tuned guitar for solo playing.
I personally use this technique (now more than the 5th fret method) to tune a guitar to itself. That means the strings may not be perfectly tuned to their individual pitches (E A D G B e), but they are tuned relativey, to each other. For example, the low E might be tuned slightly lower than a perfect E, but as long as all the other strings are tuned slightly lower as well, in relation to that low E string, the chords you play will all sound in tune.
This lesson's all about picking two strings and knowing whether they're in tune with each other, without any external aids.
Difficult? Nope, but
your ears do need "training".
In fact, this is as good a place to start as any when it comes to learning to play guitar by ear in general.
Secondly, this tuning method, in my opinion, beats the standard 5th fret method, because instead of tuning an open string to a fretted string (which causes natural inaccuracies), you're tuning an open string to another open string. I use this method all the time now because it becomes the fastest way to tune up once you master it.
So, let's begin...
Before you do anything, you need to tune your guitar because we're going to refer to an already tuned guitar so your ears can get to know what it should sound like... tune up now on this page! (opens in a new window for you)
Ok, tuned up?
Play the strings one by one from the Low E to the high E string.
Really get to know how each string sounds one after the other. What a lot of guitarists don't realise is that if you break it down and play, for example, the low E and A strings one after the other, that's a specific note interval you've played there.
A perfect fourth interval to be specific.
It's these intervals you need to internalise and hear in your head. Listen to the E and A strings again below and try to absorb that interval sound between the two strings...
Try singing the notes if you like. This will help internalise the interval sound.
Now do the same with the A and D strings - it's the same perfect fourth interval as the E and A strings, just from a different starting note...
Again, do the same with the D and G string - same fourth interval sound as A and D/E and A pairings before...
Now, when you get to the G and B strings the interval sounds different. This time the two actually sound a major 3rd interval. Try and internalise this interval sound...
And that leaves the final interval between the B and high E string. It's the same 4th interval sound as the E - A, A - D, D - G string intervals (just a lot higher obviously)....
Learn how these intervals sound before we move on to the next stage.The reason why I got you to learn the sound of each of those string pairings is because you're going to use these intervals as tuning aids. So, in effect, you're using your ears as guides here - do the intervals sound harmonious? If not, they're out of tune.
Start with the low E and A strings - does everything sound OK?...
Yep, seems fine. What about A and D?
Again, sounds in tune. How about D and G?
Ah! Out of tune. The G string is tuned too low, so we need to tune up. We know it's the G string that's out of tune because we already established the D string was in tune with A (and A was in tune with E).
So now the G string is sorted we can continue with the G and B strings - remember the interval is different with these two.
Not in tune! Ok, that needs tuning down, first lower than the G string, and then back up into tune. We tune up because the tension holds better keeping the string in tune longer than if you just tuned down and lost all the tension.
Note: The B string is a strange one - because of the nature of the guitar, you need to tune the B string slightly higher than what would be its natural major 3rd pitch. Listen below for what happens if you don't tune it slightly higher and then go to play an E major chord...
Sounds kind of out of tune with the rest of the chord doesn't it?
Although the B string sounds perfectly in tune in relation to the G string, the guitar just won't accept it on some chords. Every guitar I've picked up has this very minor "problem". So all you need to do is tune that B string up slightly to compensate (you'll have to listen very closely to hear me tuning up slightly)...
A good tip is to get the B string perfectly in tune in relation to the G string below it and then tune it up slightly.
This B string business takes a bit of getting used to, but eventually you'll just tune it slightly higher as second nature.
Finally, let's check the high E string tunes well against the B string using the interval we looked at earlier...
Sounds fine to me!
Now, you may find you have to fine tune slightly to make sure any chords you play harmonise perfectly...If you're still finding tuning by ear difficult, you can use the method below to fine tune.
The best way to fine tune by far is to play the strings in groups of two, just like we did above, but this time listen closely for a "vibrating" or oscillating effect between the perfect 4th string pairings (note: this doesn't work for the G-B string pairing as the tuning intervals are different).
That vibrating effect tells you the interval is imperfect and you should tune up or down until the interval is tuned and the vibration stops.
You can use tuning harmonics to help with this (the lesson has audio examples so you can hear it for yourself). It's a very subtle thing you need to train your ear to pick up.
After you've used this method several times, your fine tuning and time spent on tuning as a whole will shoot right down. Your ears will be trained over time and you'll pick up the tiniest inaccuracies in your guitar's tuning.Remember, some chords will sound OK if you're slightly out of tune, but others will just sound damn horrible. Make "tuning your guitar accurately" a habit from now!
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