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The Basics of Chord Building There's a page you need to see before you start learning guitar chord theory - visit the major scale page before moving on (it opens in a new window so you can reference it during this lesson). You need to know and learn that scale - to start with learn it in the E "boxed" and A "boxed" positions (you'll know what I mean by visiting the major scale page above). That'll do for now. The chords we're building in these first few lessons will be based around these basic "boxed" scale shapes. We'll then come to the other "out-of-box" scale shapes later on. One step at a time with this stuff!
So first up, triads. Triads are chords that contain three notes... Guitar Chord Theory - Constructing a Major Triad A Major triad uses 3 notes from the major scale, the Root (1), the 3rd (3) and the 5th (5). These notes make up a major chord in its "purest form".
![]() Now, if you look on the "boxed" E string major scale (see it here), the first occurance of the 3rd and 5th lie on the same string, so to create a chord where all 3 notes can ring out, we need to use the higher 3rd on the G string. Here's how a standard barre chord uses the notes from the major scale to create a major chord...
![]() The root appears 3 times, the 5th twice and the 3rd once - but as you can see, the major chord still only has 3 main notes. The Major scale starting on the A string... Again, lets just create a simple R 3 5 major barre chord with the root on the A string (the A string "boxed" scale shape - see it here) Like before, we're taking those 3 notes from the corresponding major scale shape for that chord shape (A string, or A barre shape).
![]() Remember, don't limit yourself to E and A string barre chords just because they fit nicely around the scale pattern on your guitar - try and find the same notes elsewhere on the fretboard for lower or higher 3rd or 5th voicings in different shapes. We'll look at chords built around more "out-of-the-box" scale shapes in a later guitar chord theory lesson. You can always get a head start and learn all the important major scale shapes and positions right here (opens in new window for you). If you also want to know where all the root notes lie on the fretboard (very useful as part of your guitar chord theory), take the guitar fretboard lessons here
Now lets look at building minor chords Guitar Chord Theory - Building Minor Chords We're still using the major scale for this, because chords are always labelled in relation to this natural scale. So, the major triad was Root, 3rd and 5th The minor triad is Root, flat 3rd and 5th
![]() If we play an E string barre chord like before, but as a flat-3rd minor, we get something like this...
![]() And with an A string barre chord? Referring back to the A string "boxed" scale, take just the root, 5th and flatten the 3rd from that and you get...
![]() "Sus" chords "Sus" chords refer to when the 3rd is replaced by another note. When I say replaced, I mean the 3rd gets omitted from the chord. Below are the elements of a "sus4" chord (e.g. Gsus4)
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You can also have sus2 chords where the 3rd is again removed and the 2nd note (which is the 9th in the order of chord tones) in the major scale is used instead. So we've covered how the basic triad chords are constructed. Go back and review this lesson if you need. For part 2 of guitar chord theory (constructing Augmented and Diminished chords) use the link below or go back to the theory page for more lessons. See you soon....
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