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Home > Guitar Theory Lessons > Guitar Chord Theory Part 1

Guitar Chord Theory
Building Your Own Chords

This series of guitar chord theory lessons will take you through how to construct chords. Guitarists learn by what they see and hear, which is great, but it's important to know, in your own mind, what's happening behind the scenes and why it sounds like that.

Equipping yourself with the information in these lessons will make breaking down chords second nature, and you'll find that your songwriting takes on a new edge, as you'll be able to use voicings and progressions precisely how you want them - no more guess work or copy-cat playing.

So see the contents below for this guitar chord theory series and work through the areas you need in your own time...



The Basics of Chord Building

First off, we need to look at the major scale and how you can create major and minor chords from it. Yes, minor chords are also constructed in relation to notes from the major scale.

There's a page you need to see before you start learning guitar chord theory - visit the major scale page before moving on (it opens in a new window so you can reference it during this lesson).

You need to know and learn that scale - to start with learn it in the E "boxed" and A "boxed" positions (you'll know what I mean by visiting the major scale page above). That'll do for now.

The chords we're building in these first few lessons will be based around these basic "boxed" scale shapes. We'll then come to the other "out-of-box" scale shapes later on. One step at a time with this stuff!

So first up, triads. Triads are chords that contain three notes...


Guitar Chord Theory - Constructing a Major Triad

A Major triad uses 3 notes from the major scale, the Root (1), the 3rd (3) and the 5th (5). These notes make up a major chord in its "purest form".

Root 3rd 5th

The "root" (1) is always the note the chord is labelled with (letters A through to G - see the fretboard lessons for more info on root notes and where they lie on your fretboard)

Now, if you look on the "boxed" E string major scale (see it here), the first occurance of the 3rd and 5th lie on the same string, so to create a chord where all 3 notes can ring out, we need to use the higher 3rd on the G string.

Here's how a standard barre chord uses the notes from the major scale to create a major chord...



Barring your index finger across and fretting the A D and G strings in the places shown have included the notes of the major scale. That's created a G chord, or G major in full - a major triad (R 3 5) is always labelled simply with the letter of the note used for the root (note 1 in its scale).

The root appears 3 times, the 5th twice and the 3rd once - but as you can see, the major chord still only has 3 main notes.

The Major scale starting on the A string...

Again, lets just create a simple R 3 5 major barre chord with the root on the A string (the A string "boxed" scale shape - see it here)

Like before, we're taking those 3 notes from the corresponding major scale shape for that chord shape (A string, or A barre shape).



So again, although there are more than 3 strings being played, there is still only the Root, 3rd and 5th making up the chord. That's simply a B chord, or B major in full.

Remember, don't limit yourself to E and A string barre chords just because they fit nicely around the scale pattern on your guitar - try and find the same notes elsewhere on the fretboard for lower or higher 3rd or 5th voicings in different shapes. We'll look at chords built around more "out-of-the-box" scale shapes in a later guitar chord theory lesson. You can always get a head start and learn all the important major scale shapes and positions right here (opens in new window for you).

If you also want to know where all the root notes lie on the fretboard (very useful as part of your guitar chord theory), take the guitar fretboard lessons here

Now lets look at building minor chords


Guitar Chord Theory - Building Minor Chords

We're still using the major scale for this, because chords are always labelled in relation to this natural scale.

So, the major triad was Root, 3rd and 5th

The minor triad is Root, flat 3rd and 5th

minor root 3rd 5th

So if you refer back to the E string "boxed" major scale for E shape barre chords, all that we change for minor triads is flatten the 3rd 1 half step - move it down one fret.

If we play an E string barre chord like before, but as a flat-3rd minor, we get something like this...



See how that 3rd has been flattened and moved down 1 fret from its original place in the major scale? That example above has G as the root (E string, 3rd fret is a G) so it's Gm or G minor in full. Remember, the letter used when writing chords is always the root note!

And with an A string barre chord? Referring back to the A string "boxed" scale, take just the root, 5th and flatten the 3rd from that and you get...



Bm or B minor in full because the root note lies on a B (A string, 2nd fret is a B). OK, I think you get the picture now!


"Sus" chords

"Sus" chords refer to when the 3rd is replaced by another note. When I say replaced, I mean the 3rd gets omitted from the chord.

Below are the elements of a "sus4" chord (e.g. Gsus4)

sus4 chord
So basically, the 3rd is replaced by the 4th note in the major scale.

Gsus4

That's Gsus4 - the 3rd's been moved up a half step (1 fret) to the position of the 4th. It's common to use sus4 chords as tension chords as they have an unresolved feeling attached to them.

You can also have sus2 chords where the 3rd is again removed and the 2nd note (which is the 9th in the order of chord tones) in the major scale is used instead.


So we've covered how the basic triad chords are constructed. Go back and review this lesson if you need. For part 2 of guitar chord theory (constructing Augmented and Diminished chords) use the link below or go back to the theory page for more lessons.

See you soon....

Go Straight to Part 2 - Augmented & Diminished Triads

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