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Metal Rhythm Guitar
Heavy Metal Rhythm
Guitar
Working
With the Percussion
If you've been through the other heavy
metal guitar lessons on this site, you should be armed with
several metal
rhythm techniques that you can use when needed.
This lesson will be about drawing many of those
elements together, but focusing
more on how the rhythm guitarist can work with and enhance the backing
drums. This
is not just about "keeping time" with the drummer, as we've been doing
in the other lessons, rather enhancing the rhythm
that the drummer lays
down.
Just to let you know... there'll be no tabs in
this lesson! No, it's not just
me being too lazy to upload them, I just think the focus of this lesson
is to
train your ear to picking up rhythmic changes in
metal and developing your own
ideas. I'll provide drum tracks so you can experiment! That's better
than a
copy-cat tab any day, right?
Playing
through changing metal rhythms
It's very rare for heavy metal
to stay with one constant rhythm
for an entire piece. This means you, as a guitarist, must be prepared
to change with it.
These
changes can be really subtle, like in the example we're about to listen
to. This
track goes through 3 main rhythms, and although the tempo of the
drumming speeds
up, the guitar adapts with only a slight change in the palm muting
rhythm.
Take
a listen here >
Notice on that final part,
where the drums
speed up for the 2nd time, the palm muting becomes more prominent as a
percussive element in the piece. This is all about timing your muted
and non-muted
picking/strumming, which was introduced in the beginner palm mute
lesson.
So
when the drummer changes his/her tempo, don't always think in terms of
speeding
up with them, but rather is it more effective to simply build on the
elements of
the existing
rhythm, e.g. how much of the riff becomes palm muted.
Try your own
ideas over the drum track below. Try subtle changes to your rhythm
playing to
compliment the drum changes.
Download
the drum track here >
Finding
that "groove" in heavy metal
rhythm
The more bluesy metal genres
(e.g. Sludge Metal from southern
USA) often have the "groove" element engrained in their music. Pantera
is a perfect example, and bands like Machine Head later fused this into
their
own style.
The main concept behind this
type of playing is the
"swing" of the rhythm. It has a lazy, "bouncing" effect (no,
this is not strict terminology!). Listen to this next track for a
typical
example of what I mean...
Take
a listen here >
So the drums moved at quite a
slow pace in that, but you'll
notice how the bass drum provided that casual, strolling rhythm in
between the
snare drum which was enhanced by the palm muted guitar.
There's also use of
the single string lead phrasings common in this type of metal.
Even though the drums kept a
constant, lumbering pace, you'll
notice the guitar changed its pace throughout. For example, the first 4
seconds
are played slow, with the drums, but the phrase after that uses a
quicker, sharper palm
muted rhythm, dancing around the unchanged drum
rhythm.
So don't always feel tied to
the exact time
signature of the drums - as long as the overall tempo between the
instruments
are matched, injecting the occasional sub-rhythm can help make the
music more dynamic and... groovy.
Also notice how those final
two snares are enhanced with two
final powerchord stabs (or "slaps" if you want to tone down the
violent references!).
Try
your own rhythms over the backing drums here >
To properly understand the
groove element of metal, I strongly recommend
the Burning
Metal Rhythm Course, which looks at metal rhythm elements in
far more depth
than I do on this site!
Now
for some faster metal rhythms
As I mentioned before, a lot
of the actual playing techniques
used in these example tracks (e.g. palm muting) are covered separately
in their
own lessons.
This next track is fairly
typical of modern thrash or grindcore,
if a little more simplistic. Listen carefully to the track below and
get a feel
for how the guitar compliments the backing drums, especially when it's
timed
with the snare drum.
Take
a listen here >
And here's
the drum track, to help us focus on the percussion.
So quite a chaotic little
piece there with 3 main sections. The
opening riff highlights the timing of the snare drum. The snare drum is
what you
will be naturally drawn towards in that opening riff, as it interrupts
what would have been just a regular beat.
First, try just palm muting a
single string or powerchord and
timing it to the snare in that opening section. Once you've engrained
that
rhythm in your mind, you can start to play around it, but still keeping
those
rhythmic "marker points" highlighted by the snare firmly in place.
This is what gives metal its attack.
After that intro blast,
there's a short break which, in the
example above, I simply attack in time with each kick of the bass drum
or slap
of the snare. Palm muting really packs the punch for this kind of
sparse rhythm.
Following
on, we break into a thrash riff which uses tremolo picking along with
that
familiar blast beat, which should be straightforward rhythm-wise if
you've been
through the other lessons on this site!
The final section is
similar to the first, but more direct and to-the-point, with the kick
bass
providing those triplet bursts which is complimented effectively by
using the palm
muted triplets on guitar. In this closing riff, the snare
drum is timed with
the non-muted "stabs", so just like with the opening rhythm, try and
identify those snare drum marker points. The sharper you are in time
with them,
the better!
Here's
the drum track again >
If you want to truly master
poly-rhythmic playing at a more advanced level, try the Burning
Metal Rhythm Course. The exercises and jam tracks in this
course are
designed especially to help you become more confident with your rhythm
and
timing.
Where
now?
There's only so much I can
show you on this site, so please do
take a look at the Burning
Metal Course for a good next step. I was recently sent a copy
to review,
which you can find here.
Anyway, whatever you decide to
do, I hope you enjoyed the music
and playing along to the drum tracks on this page (download them so you
can
access them quickly on your computer). Keep listening to a diverse
range
of heavy metal, as each genre has its own signature rhythms and you can
fuse
them together to create progressive and dynamic metal of your own.
Have fun experimenting.
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