![]() |
|||
![]() |
Changing string position whilst palm mutingThe exercise above should have helped you get that initial rhythm, but obviously if there's going to be any sort of melody in your music, you will need to change between different strings using this technique. When changing to another string (e.g. changing from a powerchord on the E string to a powerchord on the A string), the secret is to keep your hand in the same position, muting the strings. Your hand should be muting the first 4 strings at least without having to change position, but instead, it should pivot so only your pick will move to the next string. Try this palm mute exercise... ![]() Onwards and upwards! Getting more inventive with palm mute guitarAs well as changing chord whilst palm muting, you also need to be able to stop and start the muting in a riff to create more rhythmic effect. Listen to the clip below and try and pick out when the muted downstrokes are applied and lifted... This technique requires you to raise your hand off the strings at the appropriate time and then place it back in the same spot to mute. To make sure this is accurate, only lift your muting hand off slightly but enough so you aren't muting the strings anymore. Also, you need to synchronize removing your muting hand with a downstroke, so you hit the strings and pull your hand away almost at exactly the same time. Try the exercise below... ![]() I strongly recommend the Burning Metal Rhythm Course to really develop your creativity and skill with palm muting. It's cheaper than what a single private lesson would cost you, and it has some excellent drum tracks to jam along with. Palm muted stopsIf you hit the strings whilst palm muting normally, the chord or string will still resonate for a while, so to cut this off and create a short, sharp rhythmic effect we need to manually stop the string from resonating. The best way to do this is to bring your fretting hand into the action. You can use the fingers on this hand to simply lift off the fretboard but still touch the strings that were in the chord. As soon as you raise your fingers to just touch over the strings, they will be fully muted. If, however, you are playing an open string (not fretted) you will need to bring down some extra fingers to touch the strings and stop them. You can hear an example of this right here! Now let's put this technique to use with a stop-start riff... ![]() Using palm mute guitar as percussionAs this is a very rhythmic style of playing, you can take this to another level and use your palm muting to act like momentum keeper and make your riffing more kinetic. This involves you simply palm muting the bottom E string in between chords or notes. It should fill a gap so short in the riff that it merely becomes a percussive aid... So again, we're using that lift off, mute on technique from the exercise before. If you speed that up you get a better picture of how it works (click tab to hear)... ![]() Start with slow speeds with a metronome
and build up gradually. Palm muting on single stringsAlthough this will be covered in more depth in the lead guitar section, it's important to be able to palm mute more than just power chords. Looking at the lick below, the symbols show you just like before where muted and non-muted strings are played. Listen to the audio and get a sense for the rhythm that this creates. Start off slow, speed up gradually using that metronome... You'll want to try the above lick, or similar, using alternate picking (separate lesson!), because as you speed up it'll be the most efficient way to play it (as will most lead guitar runs). And we're done... almost So there's a beginner's guide to palm mute guitar! I hope you've learned a new technique that will definitely stay with you through all your guitar playing life. If you're ready, you can move on to more advanced, technical palm muting using the Burning Metal Rhythm Course, which looks at using palm mute guitar over more complex drum rhythms and guides you right through to advanced rhythm playing in heavy metal.
|
||