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i is known as the tonic chord. This is the chord that determines the key we play the natural minor scale in. For example, if the tonic was D minor, the chord scale above and the scale we use to solo would be in the key of D minor. So, as each chord is built on a degree of the natural minor scale, we should be able to use our knowledge of the scale's intervals to work out what each chord would be in a given key. Let's stick with D minor in this example...
Note: Edim stands for E diminished. You can learn all about diminished chords in the chords section later. We won't be using it in this lesson. From this scale, we can pick out different combinations of chords to create a D natural minor chord progression. For example...
That's a very typical movement over which we could use the D natural minor scale. The scale also works over the Bb (B flat) and C major chords because they are part of this D minor chord scale shown earlier. We don't have to start and end on the tonic either...
It's important to hear these progressions as relative movements that can be used in any key. If the tonic chord was Bm instead of Dm, how would that change the other chords in the scale?
That means the chords in the above i VI VII progression would change accordingly...
So the main thing to understand here is that the Roman numerals represent a chord progression drawn from the intervals of a parent scale without specifying key. Natural minor chord progressions chartBelow is a useful chart showing you some common 3-chord natural minor progressions. The key is in red on the left, which also represents the tonic chord of the progression and the key in which you'll play the scale.To get in the right key, the root note of the scale you're playing should coincide with the root of the tonic chord (e.g. A minor - A, B minor - B etc.)
Obviously the examples used above aren't the full extent of natural minor chord progressions. For example, you could have iv v i instead of i v iv. You could also have 4 and 5 chord sequences that reside within the chord scale. Keep experimenting with this concept and you shouldn't need a million and one examples, because your ear will eventually be able to identify that "natural minor sound" in the songs you hear and write. ![]() < Return to Guitar Scales
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