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Guitar Chords
Funk Guitar Chords
Funk chord shapes and voicings
In this mini-series we'll be looking at some of the staple guitar
chords used in funk, from basic barre shapes to more efficient,
"cut-down" chord voicings on the higher strings of the guitar.
There's
a definite jazzy and often bluesy feel to the chords used in funk
music, since that's where its stylistic origins are rooted. However,
certain
chord shapes help enhance those lively, groove-laiden rhythms heard in
funk, which
you'll see when you go on to learn funk rhythm/picking.
So,
first we'll look at some essential funk guitar chords, then we'll move
on to things like chord phrasing and harmonising. Enjoy it!
Funk
guitar chord basics
Funk uses some very interesting chord voicings and, similar to jazz,
most are built from a dominant 7th chord
base, often extended from that to 9th and 13th chords. Don't
worry
if you don't know what that means, the important thing is you
experiment with adding notes to the basic chord shapes you learn as a
beginner, to really "big them up" for that funk sound.
First, we're going to look at the common barre chord shapes
used in funk. Make sure you're comfortable with barre chords here before we move
on as these are used all the time in funk!
There
are two main barre shapes used in funk - E shape and A shape. E shape
barre chords are rooted on the low E string, and use all 6 strings. A
shape barre chords are rooted on the A string, and use the 5 strings
from that root.
E
shape funk guitar chords
So,
rather than just use the basic major/minor barre chords, we're going to
use 7th and extended voicings to add more of a jazzy/funky
flavour
- you'll hear it immediately when you play or hear them (click the
diagrams to hear examples)!
All the audio examples are played in the key of D, but remember these
are movable shapes,
so they keep their formation when you move up and down the fretboard
with them!
Major
chords
Dominant
7th shape (e.g. D7)
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Added
6th shape (e.g. D7add6)
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13th
shape (e.g. D13)
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Sharp
9th shape (e.g. D7#9)
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Minor
chords
Minor
7th shape (e.g. Dm7)
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Alternative Minor 7th shape
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Added 6th Shape (e.g. Dm7add6)
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Minor
13th shape (e.g. Dm13)
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Minor
9th Shape (e.g. Dm9)
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|
Suspended
chord
Suspended 13th shape (e.g. Dsus13)
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Try the above chords over the backing track below. It's in the key of
D, just like the audio examples, so that means the low E string root of
these chords will be positioned at fret
10.
Download the backing track >
A
shape funk guitar chords
Built
around A shape barre chords with an A string bass/root, you
can
get some really nice, classic funk tones with these positions. Again,
they're
movable shapes, but I'm playing in the key of E in the audio examples
(that's fret 7 on the A string).
Major
chords
Dominant
7th shape (e.g. E7)
 |
Alternative
Dominant 7th shape
 |
Added
6th shape (e.g. E7add6)

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Added
6th without 7th (e.g. Eadd6)

|
Minor chords
Minor
7th shape (e.g Em7)
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Alternative
Minor 7th shape
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Added
6th shape (e.g. Em7add6)
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|
Suspended
chords
Suspended
4th Added 6th shape
(e.g. E7sus4add6)
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Suspended
2nd shape
(e.g. E7sus2)
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9th
Suspended 4th shape (e.g. E9sus4)
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Suspended
2nd Added 6th shape
(e.g.
E7sus2add6)
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Suspended
13th shape (e.g. Esus13)

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|
Try the above chords over the backing track below. It's in the key of
E, just like the audio examples, so that means the A string root of
these chords will be positioned at fret
7.
Download the backing track >
Other movable funk chord shapes
So already we have a rather large library of funk chords to play with.
But there's more! Aside from the common E and A shape barre chords,
there's some other nice sounding shapes, rooted on those low E and A
strings, that descend
rather than ascend
from their root note positions. Take a look (and listen)...
On
the low E string
13th
chord (e.g. D13)
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9th
Suspended 4th (e.g. D9sus4)
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Added
9th (e.g. D7add9)
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Suspended
2nd (e.g. D7sus2)
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Added
6th/9th (e.g. Dadd6/9)
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|
On
the A string
Dominant
7th (e.g. E7)
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9th
(e.g. E9)
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Major
9th (e.g. Emaj9)
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13th
(e.g. E13)
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Sharp
9th (e.g. E7#9)
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Added
6th/9th (e.g. Eadd6/9)
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Minor
9th (e.g. Em9)
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|
Phew! That's a lot of chords, and by no means the limit!
In the next couple of lessons, we'll learn how to "cut down" some of
the fuller chord shapes logically, allowing us to create interesting
chord phrasings and complement those jumpy funk rhythms.
As always, experiment,
for example by adding and removing fingers/notes from those
basic barre chord shapes. There are tons of chord voicings to discover
just from these
core shapes.
I hope you found this lesson useful and hopefully you'll join me for
the next step... when you're ready.
Part 2 coming
soon!

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