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Guitar String Vibratos
Punctuating your lead guitar solos
This lesson, we'll be looking at the vibrato technique used in lead
guitar. This should be quite a straight forward lesson - you just need
to get comfortable with the physical aspects of this technique first.
So what is a vibrato on guitar?
Think of it like this - your lead guitar solos can be split down into phrases, similar to sentences. Now, there are various effects we can add to these phrases to punctuate them and add some
character.
Vibratos are essentially a sound effect which makes a note oscillate up
and down. Singers, especially opera singers, use this technique, and
some people refer to it as "warbling".
Let's take a listen to a string vibrato done on guitar - listen closely for the oscillating effect on certain notes...
Clean example: >> Click to hear
Distorted example: >> Click to hear
So you can hear how the note vibrates to create added texture and tone.
You can use it for clean and distorted guitar, and it can be as subtle
or wild as you like. For example, metal guitarists such as Pantera's
Dimebag (RIP) use violent vibratos to add a virtuoso element to the
music. [Click to see slow-mo video of the
string vibrato action]
Vibratos can also help with intonation
- higher up the fretboard, if you just let a note ring out flat, you
may notice it to be slightly out of tune with the backing music.
Applying a vibrato will mask this, because the idea is to oscillate around the desired note. Your brain and ears then get an idea which is the dominant tone.
Let's go through a few exercises so you can start using this great technique in your music.
String vibratos - the basics
A well done vibrato will sound fantastic every time. A poor or sloppy
vibrato will sound...well...poor and sloppy! Some guitarists even go as
far as to say a good vibrato can
turn a bland/plain sounding solo into an epic solo.
The first thing we need to do is get all our
fingers involved in the physical attack of a vibrato. Don't just use
your strongest finger - exercise all your fingers so you can move much
more freely over the fretboard.
Let's start slow... take a look at the diagram below:
Place your index finger in that same spot (G string, 5th fret), and slowly bend and relax the string - bend it down towards the floor.
It should sound something like this...
>> Click to hear
Obviously, the more you bend it, the larger the
oscillation will stray away from the root note. In most cases, you want
the bend to be subtle and as small as possible, but enough to make the
effect present.
Trust your ears as to what sounds good and what sounds crap!
Working vibratos into soloing phrases
Once you're confident with the physical theory behind
this technique, take a look at the exercises below to get your index,
middle and ring fingers involved.
Click on the tab diagrams in this lesson to hear examples
Index finger vibrato
Middle finger vibrato
Ring finger vibrato

Now, most guitarists find bending the string down
the most physically comfortable when applying a vibrato, but if you
want to apply it to the high E string, bending down can slip the string
off the fretboard, as it's so close to the edge. So, to get round this,
we simply bend up with the vibrato action...

Other vibrato styles
There are other ways to incorporate vibratos into your lead guitar phrases...
Click the diagrams to hear examples where available
Bend 'n' vibrate
This is where you use the bend technique (separate lesson!) followed by
a vibrato in the bend position. Once you've bent up, you release and
re-apply the existing bend's tension in short pulses...
So a vibrato can oscillate sharp, or oscillate flat, from the original note. Both have the same textural effect.
Diad vibratos
Basically, applying the vibrato to two notes instead of one. Great for
blues. The thing to keep practising here is to bend both strings in
absolute unison, to keep them harmonising together throughout the
oscillation.

The violinist's vibrato
Ever watched a violinist do a vibrato? It looks like
they've glued their finger tip to the finger board, desperately trying
to yank it free! (OK, that's what it looks like to me, anyway).
What they're actually doing is applying and releasing horizontal tension on the string, rather than actually bending the string.
The diagram below is a little exaggerated - you
don't want to yank the string off the tuning peg, but try to replicate
that horizontal movement at various speeds:

This method isn't used by guitarists as much, but it's good
for very subtle vibratos, especially when playing classical guitar or
clean/acoustic playing.
Hopefully now you should be physically confident with the vibrato technique.
The next stage is to learn how to really make it work musically in your
soloing phrases. The exercises in this lesson were only really to get
you into this physically, but you also need to know when a vibrato would compliment a particular note in a longer sequence of phrases.
We'll look at this another time!
For now, I would experiment as much as you can. Trust your creativity... I'm not just gonna spoon feed riffs and licks to you all the time!
Thanks for your time and effort. Use the links below to learn more - see you soon!
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